Finding the Stallion in the Colt

This is Matt McDonald.

Taking in Water

Tintagel, England; Summer 2009

Joey's Guitar

Joey Burns of Calexico and his guitar. From Calexico's performance at the Urban Lounge, SLC, August 10, 2011.

Telefunken

Kräftig, oder?

Self-Conscious Waterfall

Also found at LDS Earth Stewardship

I took this picture at BYU's south campus stream and trail, a landscaping/restoration project completed in April 2011. It was apparently quite a project, and thus somewhat amusingly became an Event.

I admit, it looks nice. But there's something rather (to use my brother's description) self-conscious about this project. My picture doesn't show the stream, or the trail, but shows one of five waterfalls along the stream and trail. It also shows how badly BYU's landscaping team wants to create a natural scene. But by wanting a natural look that also imbues each waterfall with "its own personality" (Bruce Maw, BYU Campus Landscape Architect) they have constructed a natural look that is so calculated as to become unnatural. It's basically an outdoor set piece, where nature is a prop used primarily for our personal pleasure, rather than an autonomous group of systems that each have their own patterns of behavior.

I appreciate having a place for students to "get away from it all" and enjoy some nature - I want that, too. It's important to have gardens and responsibly integrate nature into the urban space. But I get uncomfortable when part of the motivation seems to be to construct a superficial image of beauty and prosperity that values nature solely for what it can do for us, something to be tamed and controlled. BYU sits at the foot of the Rocky Mountains, where trails aplenty take you out of the city and human-constructed natural landscapes into much more vibrant, rejuvenating and adventurous territory. I worry that creating such docile and predictable spaces hinders us from taking nature on its own terms, where it is not simply a submissive prop. We think we know how best to handle the environment, which is hardly true considering the strain Utah Valley, and BYU, put on our desert environment.

The south campus stream and trail is a nice gesture, but it's incomplete. For my part, the south campus stream and trail still lacks a genuine personality, and instead displays a self-conscious and somewhat superficial personality I too often find at the university.

Turn on the Bright Lights

"Was ist die Befindlichkeit des Landes?"

Potsdamer Platz, Berlin; summer 2008

One of those lucky moments. This picture still just charms me and it's probably my favorite picture from Berlin. I don't think we have to be city people to be fascinated by the city and urbanity. Berlin is without a doubt my favorite big city and I'm hoping for the chance to go back.

Cascade

On flickr

Another shot from way back that seemed appropriate after this post. I'm still very fond of this one.

Broken, Pt. 3

Somewhere in SLC.

You

Find Your Note

My N65 is pulling the film through weirdly, resulting in some lines on my negatives, which often doesn't enhance the image in any way. Therefore, the N65 is taking a leave of absence while I consider my options. With Allen's Camera already willing to muck up my scans by not cleaning their scanner properly (they tell me it's really hard to keep it clean, which I don't doubt; but they're supposed to be pros, so I have no sympathy for their hardships), the lines are one challenge too many.

Still, despite the lines and dust, I thought this one turned out alright.

Two from Tennyson

On flickr

On flickr

It takes me a while to get to some things. These two pictures are personal favorites of mine, yet I had done nothing with them until now. Maybe I wanted them to myself for a while. But after two and a half years I think it's time to let them out.

Though I bet you can find them in here somewhere.

Nothing but You and Me

On flickr

Happy New Year

From First Beach, La Push, WA

I Will Break Your Fall

Tired of Christmas

Holiday Cheer

Electrical Storm

This was fun.

Kodachrome

You should go here sometime. But beware of the locals.

A Visit to Tiny Telephone

Tiff and I were fortunate enough to attend John Vanderslice's special performance with the Magik*Magik Orchestra at the Herbst Theatre in San Francisco. The concert included the entire White Wilderness album, a lovely collaboration between JV and Magik*Magik, just released this year. They also performed orchestral versions of many JV songs from his backcatalogue. It truly was a unique concert experience, and though I seem to say that with every Vanderslice show I see, this concert really did stand apart from those other fine shows. But the memories didn't end with the concert, for near the concert's end Vanderslice invited the audience to a free tour of his recording studio, Tiny Telephone, the following morning. Naturally, Tiff and I wanted to go, and since we had the whole next day available to us, we went. (Luckily, it didn't take much to persuade Mom to come with us.)

  John Vanderslice - Sea Salt by IndieRockReviews 

The tour of Tiny Telephone was a wonderfully memorable experience for a few reasons. First, it further solidified my deep admiration for John Vanderslice as a musician and person. He's a good person with remarkable talent; the genuine article, as they say.

Second, I learned a lot about sound and recording that I hadn't really thought about much before. Sound is cool and recording an album is a really complex process - at least it is when you wanna do it well. Tiny Telephone encourages analog recordings rather than digital, and for good reason: too much of digital recording is crap. New digital technology should be awesome, but most of it isn't. Unfortunately, our new technology has mostly made studio recording lazier, which only encourages lazy listeners - we get used to hearing poor quality recordings and lose our ear for good sound.

Third, I was charmed by Vanderslice's account of the development of Tiny Telephone and the small community of artists neighboring the studio. According to him, the neighborhood used to be a lot more dangerous than it is these days. The change came in part because of the small artist community that filled in the collection of shabby-looking back alley buildings where Tiny Telephone is located, inviting a much safer atmosphere. Additionally, the once-dangerous park next to Tiny Telephone received a skate park from the city, which has helped reduce crime. Maybe other parts of the country have gotten over the stigmas against skaters and the narrow beliefs that artists don't contribute to society, but in my community some of these naive beliefs still prevail. But the neighborhood where Tiny Telephone resides seems to show that artists can do a lot for a community and having skate parks (and other similar community amenities) doesn't increase crime, it reduces it because kids,and adults, have a place where they can gather and engage in constructive activities rather than wander around with nothing to do but get in trouble. This story was a modest example of community action to improve the neighborhood; something we could all benefit from.

There's much more I could say about my visit to Tiny Telephone. But for now I'll just show off some of the pictures I took while there. Vanderslice was kind enough to allow me to snap some photos and I was rather happy with the results.

Note how much the dude in sunglasses looks like T-Bone Burnett.

Thanks to Mom for taking this picture.

 

For more on our visit to Tiny Telephone, check out Tiff's post at The Art of Place.